Structural Features Content Analysis Project
DATE: August 18, 1997
CODING MANUAL: PROGRAM
VARIABLES
INSTRUCTIONS:
- Identify program(s) to code by consulting either the list
of Reliability Programs or the list of Individual Coder
Programs. Follow the instructions on that list. If you
have questions, contact Cheryl.
- Take the tape to the graduate editing room (first floor
Annenberg -- the access code is 125).
- Choose a VCR/monitor based on the following list of
priority (i.e., use the first VCR/monitor on this list
that is not already being used):
Bench 3 - Right monitor
Bench 1 - Left monitor
Bench 1 - Right monitor
Bench 4 - Left monitor
Bench 4 - Right monitor
Bench 6 - Left monitor
Bench 6 - Right monitor
Bench 5 - Left monitor
Bench 5 - Right monitor
Bench 3 - Left monitor [as of July 1997 this deck is
allowing the tape to "slip"; do not use it]
It may be necessary to reserve VCR/monitor(s) for the
time you will be using them. There is a reservation sheet
posted outside of the room.
- Turn on the monitor and the VCR. Before inserting the
tape into the machine, copy from the tape label the
information requested at the beginning of the coding
sheet.
- Insert the tape into the machine and move to the point in
the tape at which the program begins.
- Make sure you are familiar with all of the Guidelines for
Using the Video Equipment, General Rules, and Glossary of
Selected Terms listed below and the complete Glossary (a
separate document). Reread them as necessary.
- Complete the coding sheet CAREFULLY; read
and reread the DEFINITIONS and NOTES in this coding
manual for each question as you code. If you have
questions contact Jennifer.
GUIDELINES FOR USING VIDEO EQUIPMENT:
- Remove or reapply labels that are falling off of tapes,
as they may damage the tape player.
- The "Reset" button is on the upper left or
upper right corner of the machine. Use this button when
the coding sheet instructs you to set the counter to
zero.
- Do not keep one image paused on the screen longer than
necessary. If the machine is kept in pause mode for a
certain amount of time, it will stop automatically to
avoid excess wear on the tape, and you will risk losing
the exact starting point for coding.
- Use the knob to "jog" and "shuttle"
through the tape. DO NOT USE THE "FAST-FORWARD"
OR "REWIND" BUTTONS unless you are finished
coding. These functions are more likely to strain the
tape and cause "slippage" in the time-counter.
Also use "Pause" rather than "Stop"
-- again, this lessens the risk of straining the tape and
of losing the exact starting point.
- Avoid switching directions (forward to reverse) suddenly
or repeatedly switching from "jog" to
"shuttle" modes.
- As you move slowly through the tape, you will notice
horizontal lines that serve as dividers between frames.
Keep in mind that a frame is complete only when those
dividers are not visible. When looking for a complete
frame, move the knob slightly forward or back until the
divider disappears.
GENERAL RULES [READ AND REREAD THESE OFTEN!!!]
- If you can not easily decide how to code something, first
reread all of the relevant DEFINITIONS and NOTES in the
coding manual, then reread these General Rules to see if
one or more of them applies. If you still can not easily
decide how to code, CONTACT JENNIFER SNYDER AND DESCRIBE
THE GENERAL PROBLEM - DO NOT DESCRIBE THE SPECIFIC
PROBLEM; DO NOT CONSULT ANY OTHER CODER(S). If you can
not reach JENNIFER, write a complete description of the
problem/issue and staple it to the back of the coding
sheet. Note the problem on the appropriate space of the
coding sheet.
- A formal feature (including a credit, graphic, id logo,
program segment, etc.) begins with the first frame in
which the feature appears in a complete,
"normal," "faded in" image and ends
with the last frame in which the feature appears in a
complete, "normal," "not faded out"
image. Unless specifically instructed to do so, DO NOT
CODE VARIABLES THAT OCCUR IN TRANSITIONS between one
image and another or an image and a blank screen -
instead move the tape forward past the transition.
- DO NOT reset the timer to zero unless the coding sheet
specifically instructs you to do so.
- All audio/video content is either PROGRAM or PROGRAM
INTERRUPTION. All PROGRAM content is ACTION unless it is
one of the following: BEGINNING PROGRAM THEME or
MISCELLANEOUS PROGRAM-RELATED ELEMENTS (which are defined
specifically in variable 3 below). If you cannot
determine how program audio/video content should be
classified, consider it to be program ACTION.
- DO NOT use audio to determine beginning and ending points
for variables that involve durations - use only the video
image.
- For all program coding variables the content being coded
must be at least 1 full second (30 frames) in
duration. This means that a credit, credit sequence,
action before/after a credit sequence, theme, music,
program interruption, MPRE, etc. must be at least one
second long.
- For variables in which hours, minutes, and seconds, but not
frames are requested, round to the nearest second: if the
frame number is 15 or above, round up to the next second;
if the frame number is 14 or below, round down to the
previous second.
- ALL elements of a program or program segment must be
interrupted ("go away") in order to code a
program interruption or end of program segment as having
occurred (i.e., that a new segment has begun).
- Content that is animated should be coded just as live
action content is. For example, camera movement, camera
shot length, music, special effects, sound effects, etc.
all can exist in animation, even if they are created in a
different way. Therefore, all general rules and notes
that apply to live action also apply to animation.
- If there are two or more separate pictures (simultaneous
video pictures) on the screen, code variables in the
individual pictures unless a response option
"Simultaneous video pictures" is offered or the
definitions and notes for the variable instruct
otherwise.
- If the screen contains only ONE picture and it does not
occupy the entire screen, code occurrences within that
picture.
Images can naturally contain other images (as when a
television is shown in the background) -- these
background images should not be considered separately.
In cases where two pictures appear in the same space on
the screen (e.g., in music video when two different views
of an artist are shown, overlapping each other), if one
of the pictures appears to be dominant, code only that
picture. If neither picture is dominant, DO NOT consider
changes in the individual pictures to apply to the
overall image.
- For transitions other than cuts (e.g., fades, dissolves,
wipes, etc.) consider the end of the first shot to be the
last frame during which a completely unchanged, normal
image appears; the next shot begins on the first frame
during which all indications of the transition are gone
and a normal image appears; all frames between these two
constitute the duration of the transition.
Unless specifically instructed to do so, DO NOT code
variables for images during these transitions.
GLOSSARY OF SELECTED TERMS [READ AND REREAD THESE
OFTEN!!!]
Frame - an individual photograph on a video tape; when
a tape is played at normal speed 30 frames are shown in rapid
succession during every second, creating the illusion of motion.
Image - the contents of the entire viewing screen.
Picture - a self-contained, bordered representation of
objects, entities, etc.; there may be more than one picture in a
given image.
Program - traditional unit of television content;
typically 30, 60, 90 or 120 minutes in length.
Program interruption - one or more non-program segments
shown during the airing of a program (e.g., a break that contains
commercials and station identification).
Response option - a specific value among a set of
exhaustive and mutually exclusive values that the coder selects
when coding a variable by placing an "x" or a number in
the appropriate space on the coding sheet.
Screen - the physical border that encloses the image on a
television set.
Segment - uninterrupted portion of one programming element
(e.g., advertisement, promotional announcement, public service
announcement, station identification, unscheduled news bulletins,
etc.).
Variable - an operationalization of a concept that varies,
with an exhaustive and mutually exclusive set of values
represented by response options. Also referred to as
"item" or "question".
CODING SHEET 1:
PROGRAM VARIABLES
Date of coding: ______________
Name of coder:_______________________________ Date of entry:
______________
NOTE: Code each complete program
__________________________________________________________________________
Sampling information [Copy from tape label]
PRoGRaM#: __ __ __ TAPE#: __ __ __ __
Recorded on: MOnth: __ __ DaTe: __ __ YeaR: 9
5
DAY of week:
_____ [1] Sunday
_____ [2] Monday
_____ [3] Tuesday
_____ [4] Wednesday
_____ [5] Thursday
_____ [6] Friday
_____ [7] Saturday
Time: HOUR: __ __ AM / PM (circle one)
CHANNEL: _________
PRoGraM STart time: Hours: __ __ Minutes: __ __ AM / PM
(circle one)
[DEFINITION: This refers to the time the broadcast began, NOT
minutes into the 2 hour tape on which the program was recorded]
__________________________________________________________________________
1. Duration of program?
_____ [1] 30 minutes
_____ [2] One hour
_____ [3] 90 minutes
_____ [4] Two hours
_____ [5] Other (How long in minutes? __ __ __)
FULL QUESTION:
What is the duration of the program?
DEFINITIONS & EXAMPLES:
Program - traditional unit of television content; typically 30,
60, 90 or 120 minutes in length
NOTES:
- Short (i.e., less than 5 minutes) segments are not
programs (e.g., CNN news updates at the top and bottom of
each hour are not programs)
- Do not subtract duration of commercials (e.g., code half
hour shows as 30 minutes).
- If part of the program has been preempted (i.e., not
shown) code the duration only of the part of the program
that was aired; round up or down to the closest minute
length; use the Other category if needed (e.g., if a
football game runs over its scheduled time period into
the time period for the following program and the program
is "joined in progress" code only the portion
of the program that is shown).
- Different episodes or even the same episodes of some
programs are shown one after another in a repeating cycle
(e.g., every half hour on Headline News is a new episode;
ESPN Sportscenter is repeated immediately after it first
airs). Be careful to code each program or repetition of a
program, separately.
___________________________________________________________________________
2. Genre of program?
Comedy
_____ [01] Situation comedy
(Title:___________________________________________)
_____ [02] Other
(Describe/Title:____________________________________________)
Drama
_____ [03] Medical drama
(Title:_____________________________________________)
_____ [04] Crime/legal/mystery drama
(Title:____________________________________)
_____ [05] Science fiction/fantasy/horror
(Title:__________________________________)
_____ [06] Other
(Describe/Title:____________________________________________)
Serial
_____ [07] Daytime soap opera
(Title:__________________________________________)
_____ [08] Prime time soap opera
(Title:________________________________________)
Movie
_____ [09] TV movie
(Title:_________________________________________________)
_____ [10] Theatrical film
(Title:______________________________________________)
Informational/educational
_____ [11] Local news
(Title:________________________________________________)
_____ [12] National/international news
(Title:____________________________________)
_____ [13] Documentary
(Title:______________________________________________)
_____ [14] Magazine
(Title:_________________________________________________)
_____ [15] Reality program
(Title:____________________________________________)
_____ [16] Instructional program (adults)
(Title:__________________________________)
_____ [17] Other
(Describe/Title:_____________________________________________)
Talk
_____ [18] Celebrity talk
(Title:_____________________________________________)
_____ [19] Political talk/commentary/interview
(Title:_____________________________)
_____ [20] Theme/topic show
(Title:_________________________________________)
Promotional
_____ [21] Infomercial
(Product:____________________________________________)
Miscellaneous
_____ [22] Live action children's educational program
(Title:____________________________________________________)
_____ [23] Animated children's educational program
(Title:____________________________________________________)
_____ [24] Live action NONeducational children's program
(Title:_____________________________________________________)
_____ [25] Animated NONeducational children's program
(Title:_____________________________________________________)
_____ [26] Game show
(Title:_______________________________________________)
_____ [27] Sports event
(Title:______________________________________________)
_____ [28] Music video program
(Title:________________________________________)
_____ [29] Other
(Describe/title:_____________________________________________)
FULL QUESTION:
What is the genre of the segment?
DEFINITIONS & EXAMPLES:
Comedy
[01] Situation comedy - actors portray characters, usually a
family. Has a regular cast. (e.g., Full House, All in the Family,
Seinfeld)
[02] Other - including sketch comedy, standup comedy,
political comedy, etc. (e.g., Mad TV, Saturday Night Live, At the
Improv, comedy shorts such as Our Gang and Three Stooges)
Drama
[03] Medical drama - dramatic story in medical setting (e.g.,
ER, Chicago Hope)
[04] Crime/legal/mystery drama - dramatic story in criminal
and criminal justice setting, including pursuit, capture,
punishment of criminals (e.g., Law & Order, Matlock, Murder
She Wrote, Columbo)
[05] Science fiction/fantasy/horror - dramatic story in
"fantastic" setting (e.g., Star Trek, Liquid TV,
Hercules, Tales of the Crypt)
[06] Other - including family drama (e.g., Little House, Dr.
Quinn, Touched by an Angel) and westerns
Serial
[07] Daytime soap opera - daily serial drama airing in morning
or afternoon (e.g., All My Children)
[08] Prime time soap opera - weekly serial drama known
specifically as a "prime-time soap" (i.e., not just any
drama that continues its storylines from week to week like NYPD
Blue) (e.g., Dallas, Dynasty, Melrose Place, Central Park West,
Knot's Landing, Falcon Crest)
Movie
[09] TV movie - a film made specifically to be shown on
television, with pauses pre-designed for placement of
commercials; do not count a special 2-hour "movie"
episode of a regular series (e.g., "In a special 2-hour
Matlock movie..." in this category.
[10] Theatrical film - a film made specifically to be shown in
movie theaters, with no pauses pre-designed for commercials
(e.g., Die Hard, In the Line of Fire)
Informational/educational
[11] Local news - regularly scheduled broadcast, typically
live, of news gathered from various sources and presented by
local station (e.g., Action News, Channel 10 News).
[12] National/international news - regularly scheduled
broadcast, typically live, of news gathered from various sources
and presented by national (e.g., NBC, CBS) or international
(e.g., CNN) news organizations.
[13] Documentary - one topic examined, often concerning
history or nature (e.g., Nature, The World at War)
[14] Magazine - multiple long form (5 or more minute) stories,
either tabloid or traditional formats (e.g., Hard Copy, 60
Minutes, 20/20, 48 Hours). NOTE that magazine programs may seem
similar to talk programs, but magazine programs typically (but
not always) go out of the studio for a story, do not feature an
audience, and do not have guests who come to the studio.
[15] Reality program - typically use cinema verite to capture
or re-create real-life situations, often without a regular cast
(e.g., Cops, 911, Stories of the Highway Patrol, The Real World)
[16] Instructional program (adults) - programs that offer the
viewer a step by step explanation of an activity or task (e.g.,
This Old House, Julia Childs, Graham Kerr, ESPN exercise shows).
[17] Other - programs that don't fit in any one of the other
categories (e.g., Good Morning America, Today, CBS Morning News,
Extra). This option includes news programs with stories too short
to be a magazine program but on a specific type of story such as
entertainment news (Entertainment Tonight, Showbiz Today) or
sports news (ESPN Sportscenter).
Talk
[NOTE that talk programs may seem similar to news magazine
programs, but talk programs typically (but not always) stay in
the studio for a story, feature an audience, and have guests who
come to the studio.]
[18] Celebrity talk - a program that features a regular host
or hosts with guest(s) that are primarily entertainment and
sports personalities, does not have a unifying theme throughout a
particular episode. (e.g., The Tonight Show, The Late Show, The
Late, Late Show, Regis & Kathie Lee, Late Night with Conan
O'Brien)
[19] Political talk/commentary/interview - conversations that
usually deal with political topics where the guest(s) and his/her
expertise are the focus (e.g., This Week with David Brinkley,
Face the Nation, Meet the Press, Larry King, Charlie Rose)
[20] Theme/topic show - a program that is centered around a
particular issue where the guests are brought in to facilitate
the discussion, the host serves to stimulate discussion and/or
moderate between the guest(s) and the audience (e.g., Montel,
Oprah, Donohue, Rolanda, Jenny Jones, Sally J. Raphael, Geraldo)
Promotional
[21] Infomercial - an advertisement that is longer than
traditional commercials (usually 30 minutes) and uses techniques
to appear to be a genre other that an advertisement, such as a
talk show (e.g., exercise, makeup, hair loss, etc. on cable)
Miscellaneous
[22] Live action children's educational program - program
designed primarily to teach children; contains specific provision
of information, knowledge, facts, advice, etc. aimed at children;
live action only (e.g., Sesame Street, Barney, Mr. Rogers, 3-2-1
Contact, Electric Company). This option does NOT include programs
that happen to contain moral messages but are not specifically
designed to teach children specific things (e.g., most situation
comedies contain messages such as "Respect your
parents" and "Be honest," and "Captain
Planet" shows superheroes who fight pollution, etc., but
these are designed more to entertain than to be educational).
[23] Animated children's educational program - program
designed primarily to teach children; contains specific provision
of information, knowledge, facts, advice, etc. aimed at children;
animated or primarily animated only (e.g., Richard Scary's
Storybook/Storytown). This option does NOT include programs that
happen to contain moral messages but are not specifically
designed to teach children specific things (e.g., most situation
comedies contain messages such as "Respect your
parents" and "Be honest," and "Captain
Planet" shows superheroes who fight pollution, etc., but
these are designed more to entertain than to be educational).
[24] Live action NONeducational children's program - program
designed primarily to entertain children; live action only (e.g.,
Power Rangers, The Muppets, Clarissa Explains It All, Are You
Afraid of the Dark?)
[25] Animated NONeducational children's program - program
designed primarily to entertain children; animated or primarily
animated only (e.g., X-Men, Rugrats, Scooby Doo, Mutant Ninja
Turtles, Animaniacs, Loony Toons, Tiny Toons)
[26] Game show - features contestants who participate in an
activity with pre-determined rules in order to win prizes (e.g.,
Jeopardy, Price is Right, Wheel of Fortune)
[27] Sports - broadcast of a sporting event; this includes any
kind of athletic competition (including programs like
"American Gladiators", etc.). This option includes only
sports events, NOT sports news programs.
[28] Music video program - a collection of videos showed under
a program title showed in 30 minutes increments usually has a V.
J. (e.g., Big 80s, 8-Track flashback, Video P.M., Alternative
Nation, 120 Minutes, Yo! MTV raps)
[29] Other - programs that don't fit in any one of the other
categories (e.g., breaking news, awards shows, beauty pageants,
variety programs, etc.)
NOTES:
___________________________________________________________________________
Go to exact beginning point of program. NOTE: The beginning
of a program is the first frame that involves the specific
program.
Set timer to zero.
___________________________________________________________________________
3. Number of miscellaneous program-related
elements at beginning of program?
_____ [x] elements
FULL QUESTION:
How many miscellaneous program-related elements are there at the
beginning of the program?
DEFINITIONS & EXAMPLES:
Miscellaneous program-related elements (beginning of program) -
elements that (1) come before the first frame of simultaneous
audio and moving video action that occurs before any beginning
credit or credits in the program, (2) are distinct and separate
from theme and action in that BOTH audio and video change
completely when the element begins and BOTH audio and video
change completely when the element ends (with the exception of
silence-to-silence; see the Note below), and (3) fit into one or
more of the following categories:
i. Text and/or audio messages that indicate program sponsors,
the nature of the content (e.g., warnings of violence or nudity)
of the program, "presented by" messages, or a
dedication.
ii. Production company information (related only to the
current program) presented through use of text and/or graphics,
and in most cases audio (see Note below).
iii. Contact instructions for program-related information,
transcripts, or tickets.
iv. Program bumper - a very short segment that identifies ONLY
the program in progress and provides a buffer between a program
segment and commercials or other types of program interruptions
(e.g., after each 5-7 minute segment of Star Trek: The Next
Generation, a program bumper is shown containing the blue logo
for the program on a star-filled background with the signature
orchestral melody of the show). A program bumper can not identify
any program or set of programs other than the specific program in
progress.
All three criteria above MUST be met in order to code any
portion of program content as a miscellaneous program-related
element.
NOTES:
- There is one exception to the requirement that both audio
and video must change as a miscellaneous program-related
element begins and ends: if the video changes when the
element begins and when it ends but the audio remains
silent (either before and during the element, or during
and after the element, or both), the element should still
be coded as a miscellaneous program-related element.
- Do NOT code contact information provided in infommercials
as miscellaneous program-related elements; in this genre
contact information represents program action.
- If someone connected with a program is the spokesperson
in an advertisement for a product or service, unless the
product/service is a video or transcript of the program
itself, the advertisement is not a miscellaneous
program-related element but a segment in a program
interruption (note that this means that even if a product
being advertised is one that is shown during the program
the advertisement can not be coded as a miscellaneous
program-related element).
- A program bumper must identify the specific program in
progress and not identify any other specific program or
set of programs. It may also mention the
station/channel/network that is presenting the program
(i.e., "Stay tuned for more of Bigger & Summers
on Lifetime Cable" is still a program bumper), but
it MUST mention the specific program (i.e.,
"This is Headline News, a Turner Cable Network"
and "We'll be right back after these messages"
are NOT program bumpers because neither one identifies a
specific program [Headline News is a
station/channel/network, not a program]). In ALL cases, a
program bumper is part of a program and not a program
interruption.
- A program bumper can occur at the beginning of a program
(e.g., "Next, the Oprah Winfrey Show"), as long
as there is no interruption between this and the next
program audio/video action.
- A promotional or other message about a program about to
begin is part of the program as long as it does not
mention any other program and there is not a program
interruption (e.g., station id, etc.) between the message
and what would normally be considered the beginning of
the program. To determine whether a promotional message
is part of a program or not, use this rule as well: If
the message could logically appear outside of the program
in which it appears, it is not part of the program
itself.
- Because it is difficult to reliably code the duration of
sounds, a program should be coded as beginning at the
first frame at which the image is fully faded in, even if
music or other sound begins prior to this frame and even
during frames that contain only a black screen.
- A beginning miscellaneous program-related element must
come before any simultaneous audio and moving video
action, so a beginning miscellaneous program-related
element can come after a program theme (which by
definition is not action).
- Different episodes or even the same episodes of some
programs are shown one after another in a repeating cycle
(e.g., every half hour on Headline News is a new episode;
ESPN Sportscenter is repeated immediately after it first
airs). Be careful to code each program or repetition of a
program, separately. If it is difficult to determine
where one episode ends and the next begins, consider the
end of the first episode to be immediately prior to the
beginning of the repeating material (of course, exclude
program interruptions).
___________________________________________________________________________
4. Beginning credits sequence?
_____ [0] No [SKIP to 5]
_____ [1] Yes
FULL QUESTION:
Does the program contain a beginning credits sequence?
DEFINITIONS & EXAMPLES:
Credit - a text message that specifically identifies an
individual or company and their role in creating the program,
including actor(s), host(s), guest(s), producer(s), director(s),
writer(s), caterer(s), key grip(s), chauffeur(s), hair
stylist(s), etc. (e.g., "Produced by Joe Smith"). The
title of a program/series or the title of a specific episode of a
program/series should also be considered credits.
Credits sequence - a series (two or more) of different
credits, either in the same image or a series of images.
Beginning credits sequence - credits sequence that appears at
or near the beginning of a program, including credits during a
program theme.
NOTES:
- Audio messages only don't count as credits.
- Text on the screen during program segments that contains
only words and phrases that are part of the program
itself (e.g., host or news anchor/reporter
identification, or reinforcement for ideas being
discussed in program), rather than specific information
about individuals or companies that CREATED the program,
should NOT be counted as a credit (it is text, however,
and would be coded in the timepoint variables regarding
text).
- When a person (e.g., in an infommercial) who is hosting a
program appears on the screen with a "hosted
by" text message, that message is a credit because
it identifies the person's role in creating the program.
If the message only contains the person's name it serves
to identify him but not his role and is not a credit.
(This rule does not apply to people shown in program
themes and identified by name because the combination of
their picture and name is meant to indicate that they are
featured actors/stars in the program.)
- Credits can appear during program action and during a
program's beginning theme but CREDITS CAN NOT
APPEAR DURING ANY MISCELLANEOUS PROGRAM-RELATED ELEMENTS
(e.g., PBS underwriter/sponsor acknowledgment or
production company information, if they meet the other
criteria and are classified as miscellaneous
program-related elements, can not be coded as containing
credits) .
- A title that appears at the beginning of a program, even
if it appears repeatedly, should not be coded as a
beginning credits sequence unless it appears with at
least one other credit.
- A title and subtitle in one image should be coded as just
one credit, but if the two appear separately (in
different images, and NEVER appear together) they each
are separate credits (e.g., if the main title appears and
disappears and then the subtitle appears in the image,
the title and subtitle are each separate credits; for
Star Trek: The Next Generation, first the words
"Star Trek" appear alone, and then the words
"The Next Generation" are added so that all
five words are in the same image; because the title and
subtitle do appear together, there is only one credit).
- A subtitle may be part of the title of the program (e.g.,
"The Honeymooners" and "The Lost
Episodes") OR the subtitle may be the title of a
specific episode of the program (e.g., "CBS Tuesday
Movie" and "Star Wars") OR the subtitle
may be the title of a specific story within the specific
episode (e.g., an animated program that has separate
titles for each of three stories shown during 30 minutes,
in which case only the title of the first story is a
subtitle that should be coded as a credit).
- A credit does not stay on the screen for extended periods
of time (e.g., an identification logo or a telephone
number to call during a telethon are not credits).
- A credit can be text that is part of a graphic or it can
be an object in the image itself (i.e., something that is
not superimposed).
- One image can be coded as a credit sequence, but ONLY if
the image contains two separate and different types of
credit message (e.g., two copyright credits in one image
does not constitute a credit sequence, but a copyright
credit and a separate production company credit in the
same image does constitute a credit sequence).
- A text message that would not be considered a credit if
it were in a miscellaneous program-related element (e.g.,
a dedication or production company information) should be
coded as a credit if it appears in a credit sequence (as
long as its not part of a miscellaneous
program-related element).
- Programs can sometimes be difficult to identify. A TV or
theatrical movie is usually shown as part of a weekly or
daily series (e.g., CBS Tuesday Night at the Movies). The
film being shown is the current episode of the series.
The film series as well as the movie being shown are
therefore title and subtitle and both should be coded as
credits.
___________________________________________________________________________
4a. FOR BEGINNING CREDITS SEQUENCE PRESENT: Duration?
Credits begin: |
__ __ minutes |
__ __ seconds into program |
Credits end: |
__ __ minutes |
__ __ seconds into program |
FULL QUESTION:
What is the exact duration of the beginning credit sequence?
DEFINITIONS & EXAMPLES:
Duration of beginning credit sequence - the amount of time
between and including the first image that contains ANY PART of a
faded-in credit and the last image that contains ANY PART of a
not faded-out credit.
NOTES:
- Include in the duration any program interruption (one or
more segments shown during the airing of a program [e.g.,
a break that contains commercials and station
identification]). This means you should look beyond any
interruptions near the beginning of the program to be
sure you have included all beginning credits in the
sequence.
- When the first credit in a credit sequence is first shown
in an ambiguous state (e.g., the beginning of My Three
Sons in which the first credit first appears to be a
"blob" before it evolves into readable text)
consider the beginning of the credit the first frame in
which part of the ambiguous figure, a part that
specifically evolves into the credit, is visible (note
that it must be fully faded-in).
- Remember the general rule that a formal feature
(including a credit, graphic, id logo, program segment,
etc.) begins with the first frame in which the feature
appears in a "normal," "faded in"
image and ends with the last frame in which the feature
appears in a "normal," "not faded
out" image (although, again, the faded in credit may
at this frame be a "blob" that evolves into a
readable credit).
- A promotional or other message about a program about to
begin is part of the program as long as it does not
mention any other program and there is not a program
interruption (e.g., station id, etc.) between the message
and what would normally be considered the beginning of
the program. To determine whether a promotional message
is part of a program or not, use this rule as well: If
the message could logically appear outside of the program
in which it appears, it is not part of the program
itself.
___________________________________________________________________________
4b. FOR BEGINNING CREDITS SEQUENCE PRESENT: Any
credit in credit sequence during simultaneous audio and moving
video action?
_____ [0] No
_____ [1] Yes
FULL QUESTION:
Does any of the credit sequence appear while there is also
simultaneous audio and moving video action?
DEFINITIONS & EXAMPLES:
Action - portrayal of events or activities that are part of the
program and are NOT part of the beginning theme or miscellaneous
program-related elements.
Simultaneous audio and moving video action - action during
which there are no still images and the audio track is not
completely silent.
NOTES:
- Moving video action can be very subtle: If ANYTHING in
the image other than the appearance and disappearance of
text changes, there is moving video action.
- Audio action is ANY sound at all, even if it is quiet or
unrelated to the program.
- The simultaneous audio and moving video must be action,
and therefore can not be audio and moving video
that occur as part of a beginning theme or miscellaneous
program related element (since all content is program
action OR program theme OR miscellaneous program related
element OR program interruption). (This is not an issue
for variable 8b[Any ending credit during simultaneous
audio and moving video action?] since any simultaneous
audio and moving video that isn't part of a program
interruption or an MPRE is by definition action.)
- If the only movement that occurs during a credit is
movement of the credit itself, that does NOT count as
moving action.
- Material that recaps the premise of a program (e.g.,
"Dr. David Banner was conducting experimental
research that went awry; now when something makes him
upset he turns into the Incredible Hulk") is likely
to be a theme rather than program action.
___________________________________________________________________________
4c. FOR BEGINNING CREDITS SEQUENCE PRESENT: Any
action before credit sequence begins?
_____ [0] No
_____ [1] Yes
FULL QUESTION:
Does any action take place BEFORE the beginning credit sequence
begins?
DEFINITIONS & EXAMPLES:
Action before beginning credit sequence - portrayal of events or
activities that are part of the program and are NOT part of the
beginning theme or miscellaneous program-related elements AND
that appear before any credits appear.
NOTES:
- Action can include still images (e.g., a still photo of a
guest on a talk show).
- Action does not require that there be simultaneous sound
and picture; either sound or picture alone can constitute
program action.
- A promotional or other message about a program about to
begin is part of the program as long as it does not
mention any other program and there is not a program
interruption (e.g., station id, etc.) between the message
and what would normally be considered the beginning of
the program. To determine whether a promotional message
is part of a program or not, use this rule as well: If
the message could logically appear outside of the program
in which it appears, it is not part of the program
itself.
- Material that recaps the premise of a program (e.g.,
"Dr. David Banner was conducting experimental
research that went awry; now when something makes him
upset he turns into the Incredible Hulk") is likely
to be a theme rather than program action.
___________________________________________________________________________
4d. FOR BEGINNING CREDITS SEQUENCE PRESENT:
Program interruption during beginning credits?
_____ [0] No
_____ [1] Yes
FULL QUESTION:
Is there a program interruption during the beginning credit
sequence?
DEFINITIONS & EXAMPLES:
Program interruption - one or more non-program segments are shown
during the airing of a program (e.g., a break that contains
commercials and station identification).
NOTES:
- ALL elements of a program's content and form must be
interrupted ("go away") in order to code a
program interruption as having occurred (i.e., that a new
segment has begun).
- Remember that to code this item as "yes" the
beginning credit sequence must begin BEFORE the program
interruption.
- A promotional or other message about a program about to
begin is part of the program as long as it does not
mention any other program and there is not a program
interruption (e.g., station id, etc.) between the message
and what would normally be considered the beginning of
the program. To determine whether a promotional message
is part of a program or not, use this rule as well: If
the message could logically appear outside of the program
in which it appears, it is not part of the program
itself.
- Material that recaps the premise of a program (e.g.,
"Dr. David Banner was conducting experimental
research that went awry; now when something makes him
upset he turns into the Incredible Hulk") is likely
to be a theme rather than program action.
- Note that a program interruption can be very brief (e.g.,
a network/station identification between music videos is
a program interruption but may only last 5 seconds).
___________________________________________________________________________
5. Beginning program theme?
_____ [0] No [SKIP to 6]
_____ [1] Yes
FULL QUESTION:
Is there a program theme at the beginning of the program?
DEFINITIONS & EXAMPLES:
Beginning program theme - a sequence of images that 1) contains
at least some audio and video that occur at the same time, 2) has
the SOLE purpose of introducing the program, 3) contains an audio
or text presentation of the program's title, 3) contains at least
some music, 4) does NOT contain multiple segments - i.e., both
the sound and the picture cannot change completely at the same
time within a theme, they can only change completely at the same
time at the very beginning and at the very end of the theme
(although a theme does not have to begin or end this way).
Content that previews what will occur during the program that is
beginning can NOT be coded as a theme, even if it contains music
and the program's title and does not contain a complete change of
audio and video at the same time. (All of the Star Trek series,
Picket Fences, Grace Under Fire, and many other prime-time
programs have beginning themes; most news programs do as well.)
NOTES:
- A beginning theme cannot also be either program action or
miscellaneous program-related elements.
- A theme cannot include segments that contain
"Previously on ..." video clips.
- A theme can NOT include a program interruption or any
other interruption.
- A theme does NOT include the parts of programs where a
host or anchor introduces himself ("Thanks for
joining us, I'm Joe Newscaster")
- Material that recaps the premise of a program (e.g.,
"Dr. David Banner was conducting experimental
research that went awry; now when something makes him
upset he turns into the Incredible Hulk") is likely
to be a theme rather than program action.
- Programs can sometimes be difficult to identify. A TV or
theatrical movie is usually shown as part of a weekly or
daily series (e.g., CBS Tuesday Night at the Movies). The
film being shown is the current episode of the series.
The series and the episode could conceivably have a
theme, but since a theme must not contain a complete
change in sound and picture, if both seem to have themes
code the film series theme rather than the movie theme.
___________________________________________________________________________
5a. FOR ANY BEGINNING PROGRAM THEME: Duration?
Program theme begins: |
__ __ minutes |
__ __ seconds into program |
Program theme ends: |
__ __ minutes |
__ __ seconds into program |
FULL QUESTION:
What is the exact duration of the beginning program theme?
DEFINITIONS & EXAMPLES:
Duration of beginning program theme - the amount of time between
and including the start of the simultaneous audio and video
components of the theme and the end of the simultaneous audio and
video components of the theme.
NOTES:
- Although the audio or video components of the theme may
begin and/or end at different times, code the beginning
of the theme as the first time both audio and video are
present and code the ending of the theme as the last time
both audio and video are present.
- A theme may NOT contain a program interruption or a
miscellaneous program-related element.
- A theme does NOT include the parts of programs where a
host or anchor introduces himself ("Thanks for
joining us, I'm Joe Newscaster")
- Material that recaps the premise of a program (e.g.,
"Dr. David Banner was conducting experimental
research that went awry; now when something makes him
upset he turns into the Incredible Hulk") is likely
to be a theme rather than program action.
- Programs can sometimes be difficult to identify. A TV or
theatrical movie is usually shown as part of a weekly or
daily series (e.g., CBS Tuesday Night at the Movies). The
film being shown is the current episode of the series.
The series and the episode could conceivably have a
theme, but since a theme must not contain a complete
change in sound and picture, if both seem to have themes
code the film series theme rather than the movie theme.
___________________________________________________________________________
5b. FOR ANY PROGRAM THEME: Theme audio and video
start or end more than 2 seconds apart?
_____ [0] No
_____ [1] Yes
FULL QUESTION:
Do the audio component and the video component of the theme
either start or end more than 2 seconds apart?
DEFINITIONS & EXAMPLES:
Audio and video components of theme - the sounds and pictures
that occur simultaneously during the theme (as defined in
variable 5). Although the theme itself consists of these sounds
and pictures, the sounds may begin before or after the pictures
begin, and the sounds may end before or after the pictures end
(e.g., in "Murphy Brown" the theme's pictures end
before the theme's sounds, which extend over the beginning of the
program action).
NOTES:
- One component must extend beyond the other by more than
60 frames (TWO SECONDS) in order to code this variable as
"Yes."
- When the pictures in a theme end the music may CHANGE but
not end; unless the music changes dramatically or
completely code the music as being part of the audio
component of the theme and extending beyond the video
components of the theme.
___________________________________________________________________________
6. How many program interruptions, and how many
segments during each interruption?
Program
Inter-
ruption |
Program
Inter-
ruption |
1. __ __ segments |
11. __ __ segments |
2. __ __ segments |
12. __ __ segments |
3. __ __ segments |
13. __ __ segments |
4. __ __ segments |
14. __ __ segments |
5. __ __ segments |
15. __ __ segments |
6. __ __ segments |
16. __ __ segments |
7. __ __ segments |
17. __ __ segments |
8. __ __ segments |
18. __ __ segments |
9. __ __ segments |
19. __ __ segments |
10. __ __ segments |
20. __ __ segments |
FULL QUESTION:
For each interruption of program content how many separate
segments are there during the interruption?
DEFINITIONS & EXAMPLES
Segment - uninterrupted portion of one programming element (e.g.,
advertisement, promotional announcement, public service
announcement, station identification, unscheduled news bulletins,
etc.).
Program interruption - one or more non-program segments are
shown during the airing of a program (e.g., a break that contains
commercials and station identification).
NOTES:
- To code this variable do NOT move the tape at the top
"fast-forward" speed during program
interruptions; instead, do the following: Press
"Play", use the edit wheel to accelerate the
speed until the voices/sounds are high-pitched but the
images are free from "noise" (i.e., images are
visible as during normal play mode but moving at a faster
than normal speed).
- Proceed chronologically through the ENTIRE program; be
sure to include any end credits.
- Technical mistakes that bring a part of a commercial or
other program interruption to the screen, even briefly,
should be coded as separate segments.
- If the same commercial appears more than once during an
interruption, even if it appears twice in a row, count
each occurrence as a segment. If two commercials for the
same product or service air during an interruption they
should each be considered separate segments.
- If someone connected with a program is the spokesperson
in an advertisement for a product or service, unless the
product/service is a video or transcript of the program
itself, the advertisement is not a part of the program
but a segment in the program interruption.
- A program bumper that identifies the program in progress
is not part of a program interruption if it immediately
precedes or follows a program segment.
- A miscellaneous program-related element surrounded by
program interruption segments (e.g., ads, program bumper,
ads; OR: ads, information about getting video of program,
ads) constitutes a program segment and therefore means
there are two separate program interruptions to code (in
these examples the two sets of ads).
- Sponsorship announcements should only be coded as program
interruption segments if they do not relate specifically
to the program in progress (i.e., "Today's
programming is sponsored by Nestle" is a program
interruption segment, but "This program is sponsored
by Nestle" is not a program interruption).
- When a sponsorship announcement is followed by a
commercial by that sponsor, the sponsorship announcement
(if it fits the criteria in previous note) and the
commercial should be coded as two separate program
interruption segments.
- Interruptions can be lengthy but may still contain only
one segment (e.g., unscheduled news bulletins).
- A program bumper must identify the specific program in
progress and not identify any other specific program or
set of programs. It may also mention the
station/channel/network that is presenting the program
(i.e., "Stay tuned for more of Bigger & Summers
on Lifetime Cable" is still a program bumper), but
it MUST mention the specific program (i.e.,
"This is Headline News, a Turner Cable Network"
and "We'll be right back after these messages"
are NOT program bumpers because neither one identifies a
specific program [Headline News is a
station/channel/network, not a program]). In ALL cases, a
program bumper is part of a program and not a program
interruption.
- Note that a program interruption can be very brief (e.g.,
a network/station identification between music videos is
a program interruption but may only last 5 seconds).
- To determine whether a promotional message is part of a
program or not, use this rule: If the message could
logically appear outside of the program in which it
appears, it is not part of the program itself.
___________________________________________________________________________
Go to the last frame of simultaneous audio and moving video
action that occurs in the program prior to any ending credit(s).
ALL VARIABLES FROM THIS POINT to the end of the Coding
Sheet concern only program audio and video that occur after this
frame.
___________________________________________________________________________
7. Location of last simultaneous audio and moving video action
before any ending credit or credits?
__ __ hours |
__ __ minutes |
__ __ seconds into program |
FULL QUESTION:
What is the location in hours, minutes, and seconds, of the last
simultaneous audio and moving video action in the program that
occurs prior to any ending credit or credits?
DEFINITIONS & EXAMPLES:
Action - portrayal of events or activities that are part of the
program itself and are NOT part of the theme or miscellaneous
program-related elements.
Audio action - sound that represents program content (this may
include music, dialogue, or both).
Moving video action - a series of changing images that
represent program content (this includes sequences that contain
special effects but not still images or freeze frames). Remember
moving video action can be very subtle: If ANYTHING in the image
other than the appearance and disappearance of text changes,
there is moving video action.
Simultaneous audio and moving video action - action during
which there are no still images and the audio track is not
completely silent.
NOTES:
- Moving video action can be very subtle: If ANYTHING in
the image other than the appearance and disappearance of
text changes, there is moving video action.
- Audio action is ANY sound at all, even if it is quiet or
unrelated to the program.
- Remember to follow the general rule that says a formal
feature (including a credit, graphic, id logo, program
segment, etc.) begins with the first frame in which the
feature appears in a "normal", "faded
in" image and ends with the last frame in which the
feature appears in a "normal", "not faded
out" image. A credit does not begin until it is
completely faded in.
- The frame to be coded in this variable occurs before ANY
ending credit, whether it is the only credit or part of a
credit sequence.
- In some programs a short announcement is presented just
prior to ending credits. Depending on the nature of such
announcements they may either be properly coded as
program action or as program interruption. To determine
which, follow this guideline: If there is a complete
audio and video change when the announcement begins and
when it ends (so that it is a self-contained message) AND
if neither the audio nor the video refer to the program
in progress (even as "this program..."), then
it should be coded as a program interruption (this is
true even if it is the only segment during the
interruption and even if it is during a program broadcast
on PBS). For example, a complete audio and video change
to a picture of a hotel and the audio "Guests of
'Newsmakers' stay at the Beverly Hilton Hotel...",
followed by a complete audio and video change to other
program content is a part of program action, but the same
message with the audio "The Beverly Hilton. A Great
Hotel" is a program interruption. On the other hand,
if the sounds from the program continue even as little as
one second into the message, no matter what words are
presented, it must be considered part of the program).
- You may find the following situation: action continues as
an image fades; a blank screen appears briefly; then a
new image containing an ending credit appears suddenly or
fades in slowly. Note that the last frame of simultaneous
audio and moving video action in this case is the last
"normal" or "not faded out" image before
the blank screen appears.
- A text message that would not be considered a credit if
it were in a miscellaneous program-related element (e.g.,
a dedication or production company information) should be
coded as a credit if it appears in a credit sequence (as
long as its not part of a miscellaneous
program-related element).
___________________________________________________________________________
8. Ending credits sequence?
_____ [0] No [SKIP to 9]
_____ [1] Yes
FULL QUESTION:
Does the program contain an ending credits sequence?
DEFINITIONS & EXAMPLES:
Credit - a text message that specifically identifies an
individual or company and their role in creating the program,
including actor(s), host(s), guest(s), producer(s), director(s),
writer(s), caterer(s), key grip(s), chauffeur(s), hair
stylist(s), etc. (e.g., "Produced by Joe Smith"). The
title of a program/series or the title of a specific episode of a
program/series should also be considered credits.
Credits sequence - a series (two or more) of different
credits, either in the same image or a series of images.
Ending credits sequence - credits sequence that appears at or
near the end of a program.
NOTES:
- Audio messages only don't count as credits
- A text message such as "Copyright 19xx. All rights
reserved" is one credit.
- Text on the screen during program segments that contains
only words and phrases that are part of the program
itself (e.g., host or news anchor/reporter
identification, or reinforcement for ideas being
discussed in program), rather than specific information
about individuals or companies that CREATED the program,
should NOT be counted as a credit (it is text, however,
and would be coded in the timepoint variables regarding
text).
- Credits can appear during program action and during a
program's beginning theme but CREDITS CAN NOT
APPEAR DURING ANY miscellaneous program-related elements
(e.g., PBS underwriter/sponsor acknowledgment or
production company information, if they meet the other
criteria and are classified as miscellaneous
program-related elements, can not be coded as containing
credits) .
- A title that appears at the end of a program, even if it
appears repeatedly, should not be coded as a credit
sequence unless it appears with at least one other
credit.
- A credit does not stay on the screen for extended periods
of time (e.g., an identification logo or a telephone
number to call during a telethon are not credits).
- A credit can be text that is part of a graphic or it can
be an object in the image itself (i.e., something that is
not superimposed).
- One image can be coded as a credit sequence, but ONLY if
the image contains two separate and different types of
credit message (e.g., two copyright credits in one image
does not constitute a credit sequence, but a copyright
credit and a separate production company credit in the
same image does constitute a credit sequence).
- In some programs a short announcement is presented just
prior to ending credits. Depending on the nature of such
announcements they may either be properly coded as
program action or as program interruption. To determine
which, follow this guideline: If there is a complete
audio and video change when the announcement begins and
when it ends (so that it is a self-contained message) AND
if neither the audio nor the video refer to the program
in progress (even as "this program..."), then
it should be coded as a program interruption (this is
true even if it is the only segment during the
interruption and even if it is during a program broadcast
on PBS). For example, a complete audio and video change
to a picture of a hotel and the audio "Guests of
'Newsmakers' stay at the Beverly Hilton Hotel...",
followed by a complete audio and video change to other
program content is a part of program action, but the same
message with the audio "The Beverly Hilton. A Great
Hotel" is a program interruption. On the other hand,
if the sounds from the program continue even as little as
one second into the message, no matter what words are
presented, it must be considered part of the program).
- A text message that would not be considered a credit if
it were in a miscellaneous program-related element (e.g.,
a dedication or production company information) should be
coded as a credit if it appears in a credit sequence (as
long as its not part of a miscellaneous
program-related element).
- Programs can sometimes be difficult to identify. A TV or
theatrical movie is usually shown as part of a weekly or
daily series (e.g., CBS Tuesday Night at the Movies). The
film being shown is the current episode of the series.
Ending credits within both the series and the episode
should be coded.
___________________________________________________________________________
8a. FOR ENDING CREDITS SEQUENCE PRESENT: Duration?
Credits begin: |
__ __ hours |
__ __ minutes |
__ __ seconds into program |
Credits end: |
__ __ hours |
__ __ minutes |
__ __ seconds into program |
FULL QUESTION:
What is the exact duration of the ending credits sequence?
DEFINITIONS & EXAMPLES:
Duration of ending credit sequence - the amount of time between
and including the first image that contains ANY PART of a credit
and the last image that contains ANY PART of a credit.
NOTES:
- Credits can appear during program action and during a
program's beginning theme but CREDITS CAN NOT
APPEAR DURING ANY MISCELLANEOUS PROGRAM-RELATED ELEMENTS
(e.g., PBS underwriter/sponsor acknowledgment or
production company information, if they meet the other
criteria and are classified as miscellaneous
program-related elements, can not be coded as containing
credits) .
- Include in the duration any program interruption (one or
more segments shown during the airing of a program [e.g.,
a break that contains commercials and station
identification]). This means you should look beyond any
interruptions near the end of the program to be sure you
have included all ending credits in the sequence.
- Be sure to follow the general rule that instructs coders
to consider a formal feature to begin with the first
frame in which the feature appears in a
"normal," "faded in" image and end
with the last frame in which the feature appears in a
"normal," "not faded out" image (also
note that the credit may be a "blob" when it
begins and/or ends).
- In some programs a short announcement is presented just
prior to ending credits. Depending on the nature of such
announcements they may either be properly coded as
program action or as program interruption. To determine
which, follow this guideline: If there is a complete
audio and video change when the announcement begins and
when it ends (so that it is a self-contained message) AND
if neither the audio nor the video refer to the program
in progress (even as "this program..."), then
it should be coded as a program interruption (this is
true even if it is the only segment during the
interruption and even if it is during a program broadcast
on PBS). For example, a complete audio and video change
to a picture of a hotel and the audio "Guests of
'Newsmakers' stay at the Beverly Hilton Hotel...",
followed by a complete audio and video change to other
program content is a part of program action, but the same
message with the audio "The Beverly Hilton. A Great
Hotel" is a program interruption. On the other hand,
if the sounds from the program continue even as little as
one second into the message, no matter what words are
presented, it must be considered part of the program).
- Programs can sometimes be difficult to identify. A TV or
theatrical movie is usually shown as part of a weekly or
daily series (e.g., CBS Tuesday Night at the Movies). The
film being shown is the current episode of the series.
Ending credits within both the series and the episode
should be coded.
___________________________________________________________________________
8b. FOR ENDING CREDITS SEQUENCE PRESENT: Any
credit in credit sequence during simultaneous audio and moving
video action?
_____ [0] No
_____ [1] Yes
FULL QUESTION:
Does any of the credit sequence appear while there is also
simultaneous audio and moving video action?
DEFINITIONS & EXAMPLES:
Action - portrayal of events or activities that are part of the
program and are NOT part of the beginning theme or miscellaneous
program-related elements.
Simultaneous audio and moving video action - action during
which there are no still images and the audio track is not
completely silent.
NOTES:
- Moving video action can be very subtle: If ANYTHING in
the image other than the appearance and disappearance of
text changes, there is moving video action.
- Audio action is ANY sound at all, even if it is quiet or
unrelated to the program.
- If the only movement that occurs during a credit is
movement of the credit itself, that does NOT count as
moving action.
___________________________________________________________________________
8c. FOR ENDING CREDITS SEQUENCE PRESENT: Any
action after credit sequence ends?
_____ [0] No
_____ [1] Yes
FULL QUESTION:
Does any action take place AFTER the ending credit sequence ends?
DEFINITIONS & EXAMPLES:
Action after credits - portrayal of events or activities that are
part of the program and are NOT part of the beginning theme or
miscellaneous program-related elements AND that appear after all
credits appear.
NOTES:
- Action does not require that there be simultaneous sound
and picture; either sound or picture alone can constitute
program action.
- Action can include still images (e.g., a still photo of a
guest on a talk show).
___________________________________________________________________________
8d. FOR ENDING CREDITS SEQUENCE PRESENT: Program
interruption during ending credit sequence?
_____ [0] No
_____ [1] Yes
FULL QUESTION:
Is there a program interruption after the ending credits begin
and before they end?
DEFINITIONS & EXAMPLES:
Program interruption - one or more non-program segments are shown
during the airing of a program (e.g., a break that contains
commercials and station identification).
NOTES:
- ALL elements of a program must be interrupted ("go
away") in order to code a program interruption as
having occurred (i.e., that a new segment has begun).
- Remember that to code this item as "yes" the
ending credit sequence must begin BEFORE the program
interruption.
- A miscellaneous program-related element is NOT a program
interruption.
- Note that a program interruption can be very brief (e.g.,
a network/station identification between music videos is
a program interruption but may only last 5 seconds).
___________________________________________________________________________
8e. FOR ENDING CREDITS SEQUENCE PRESENT:
Simultaneous video pictures during ending credits?
_____ [0] No
_____ [1] Yes, simultaneous RELATED video pictures
_____ [2] Yes, simultaneous UNRELATED video pictures
FULL QUESTION:
Are there simultaneous video pictures during the ending credits?
DEFINITIONS & EXAMPLES:
Simultaneous video pictures-- an image that contains more than
one picture.
RELATED video pictures - pictures that logically go together
based on content because they both (all) relate to the specific
program or segment in progress (e.g., split screen in which
people in different cities appear next to each other; split
screen in which ending credits for a program appear next to final
program action, such as Frasier).
UNRELATED video pictures - pictures that logically do NOT go
together based on content because they both (all) do not relate
to the specific program or segment in progress (e.g., split
screen in which credits for one program appear next to image of
anchorperson previewing upcoming news; ESPN sports update
containing scores of other games appears in part of the screen
while the game being broadcast continues in the other part of the
screen).
NOTES:
- Do not code superimposed text or graphics as simultaneous
video pictures; the sections of the screen containing the
video pictures must be separate and distinct, not
overlapping (e.g., one part of the screen may contain
credits and another part may contain promotional
material; if any part of the credits appears in front of
any part of the promotional material, do NOT code this as
simultaneous video pictures).
- The simultaneous video pictures may occupy any
combination of nonoverlapping areas of the screen, not
just the traditional split screen format that divides the
image in two halves.
- Because at least one of the pictures must not occupy the
entire area of the picture to be counted here, do not
include as simultaneous video pictures dissolves from one
full image to another.
- Simultaneous video pictures do NOT include images in
which objects, or what are meant to appear to be objects,
occupy different and distinct parts of the screen (e.g.,
the billboards in the Media TV ending credits and in the
Music City Tonight theme are objects and not simultaneous
video pictures). If objects that arent part of, or
dont fit in the scale or layout of the rest of the
image, then they may represent simultaneous video
pictures.
___________________________________________________________________________
8f. FOR ENDING CREDITS SEQUENCE PRESENT:
Unrelated audio and video during ending credits?
_____ [0] No
_____ [1] Yes, talking over ending credits
_____ [2] Yes, other
(Describe:_______________________________________________________________)
FULL QUESTION:
Are there unrelated audio and video during the ending credits?
DEFINITIONS & EXAMPLES:
Unrelated audio and video - sound (usually talk) that is
presented during the ending credits but is not logically
connected to the program.
NOTES:
- Do not code as unrelated talk over credits that is about
the program that is ending (e.g., "Next week on
Chicago Hope...").
- If you indicate in the previous question that there are
(two or more) simultaneous video pictures in the ending
credits, and there is not sound that corresponds to both
video pictures heard at the same time (or no sound at
all) through the entire period during which simultaneous
pictures are on the screen, then by definition you must
indicate here that there is unrelated audio and video
during ending credits.
___________________________________________________________________________
9. Music at the end of the program?
_____ [0] No [SKIP to 10]
_____ [1] Yes
FULL QUESTION:
After the last frame of simultaneous audio and moving video
action before any ending credit or credits, is there music
present during program content?
DEFINITIONS & EXAMPLES:
Music - vocal or instrumental sounds that have rhythm, melody, OR
harmony. A single instrumental tone also is considered music.
Music at the end of the program - music that is present after
the last frame of simultaneous audio and moving video action that
occurs before any ending credit or credits (i.e., the frame
identified in variable 7) and that is NOT during a program
interruption or a miscellaneous program-related element.
NOTES:
- Music does not have to have a melody or beat; it may be a
continuous (one-note) tone.
- Do NOT include music that is part of the program content
- this means that the music should not be linked to the
content of the program in any direct way (e.g., a radio
being played in the scene on a fictional program; a live
band or person that you can see performing; and people in
the images who can be seen singing to music by musicians
who are not visible all represent direct links between
the music and the program and this music should not be
coded as music at the end of the program. If you can not
see someone who is performing the music (and there is no
other obvious, direct link) code the music.
- Do NOT code music in program interruptions as music at
the end of the program.
- Do NOT code music that is in a miscellaneous
program-related element.
- The music does not have to BEGIN at or after the last
frame of simultaneous audio and moving video action
before ending credit(s) to be coded for this variable; it
can be underway at that frame.
___________________________________________________________________________
9a. FOR MUSIC PRESENT AT THE END OF THE PROGRAM: Duration?
Music begins: |
__ __ hours |
__ __ minutes |
__ __ seconds into program |
Music ends: |
__ __ hours |
__ __ minutes |
__ __ seconds into program |
FULL QUESTION:
What is the exact duration of the music at the end of the
program?
DEFINITIONS & EXAMPLES:
Duration of music at the end of the program - the amount of time
between and including 1) the first frame after the last frame of
simultaneous audio and moving video action that occurs before any
ending credit or credits (i.e., the frame identified in variable
7), and 2) the last frame in the program during which music can
be heard. Neither the starting or ending frame of music can be
during a program interruption or a miscellaneous program-related
element.
NOTES:
- If the music stops and then starts again or the music
changes; or if there is a program interruption after the
music begins and before it ends; or if during part of the
time that music is heard there are simultaneous video
pictures on the screen and music that relates to a
non-program message (e.g., a promo for a future program)
is heard; you must still code from the beginning of the
music to the end of the music, i.e., include such
interruptions in the duration (as you would code the
duration of credit sequences). But if the music begins
and is "turned down" or "blocked" by
other sounds and never returns, do NOT code the music as
ending where you believe the original soundtrack ended -
i.e., only code what you hear.
- Remember that the music cannot begin or end in a
miscellaneous program related element or in a program
interruption.
- If music is underway at the last frame of simultaneous
audio and moving video action before ending credit(s),
the music should be coded as beginning in the very next
frame.
- If the first frame after the frame located in variable 7
(the last frame of simultaneous audio and moving video
action that comes before any ending credit) is a faded
image, the music can not be coded as beginning with this
frame - the image at the frame at which music is coded as
beginning must be a complete, normal, not faded-out,
image.
___________________________________________________________________________
9b. FOR MUSIC PRESENT AT THE END OF THE PROGRAM:
Program interruption during the music at the end of the program?
_____ [0] No
_____ [1] Yes
FULL QUESTION:
Is there a program interruption after the ending music begins and
before it ends?
DEFINITIONS & EXAMPLES:
Program interruption - one or more non-program segments are shown
during the airing of a program (e.g., a break that contains
commercials and station identification).
NOTES:
- ALL elements of a program must be interrupted ("go
away") in order to code a program interruption as
having occurred (i.e., that a new segment has begun).
- Remember that to code this item as "yes" the
music must begin BEFORE the program interruption.
- A miscellaneous program-related element is NOT a program
interruption.
___________________________________________________________________________
10. Number of miscellaneous program-related
elements at end of program?
_____ [x] elements
FULL QUESTION:
How many miscellaneous program-related elements are there between
the end of the simultaneous audio and moving video action and the
very end of the program?
DEFINITIONS & EXAMPLES:
Miscellaneous program-related elements (end of program) -
elements that (1) come after the last frame of simultaneous audio
and moving video action that occurs before any ending credit or
credits (i.e., the frame identified in variable 7), (2) are
distinct and separate from theme and action in that BOTH audio
and video change completely when the element begins and BOTH
audio and video change completely when the element ends (with the
exception of silence-to-silence; see the Note below), and (3) fit
into one or more of the following categories:
i. Text or audio messages that indicate program sponsors, the
nature of the content (e.g., warnings of violence or nudity) of
the program, "presented by" messages, or a dedication.
ii. Production company information (related only to the
current program) presented through use of text or graphics, and
in most cases audio (see Note below).
iii. Contact instructions for program-related information,
transcripts, or tickets.
iv. Program bumper - a very short segment that identifies the
program in progress and provides a buffer between a program
segment and commercials or other types of program interruptions
(e.g., after each 5-7 minute segment of Star Trek: The Next
Generation, a program bumper is shown containing the blue logo
for the program on a star-filled background with the signature
orchestral melody of the show).
All three criteria above MUST be met in order to code any
portion of program content as a miscellaneous program-related
element.
NOTES:
- There is one exception to the requirement that both audio
and video must change as a miscellaneous program-related
element begins and ends: if the video changes when the
element begins and when it ends but the audio remains
silent (either before and during the element ,or during
and after the element, or both), the element should still
be coded as a miscellaneous program-related element.
- Do NOT code contact information provided in infommercials
as miscellaneous program-related elements; in this genre
contact information represents program action.
- If someone connected with a program is the spokesperson
in an advertisement for a product or service, unless the
product/service is a video or transcript of the program
itself, the advertisement is not a miscellaneous
program-related element but a segment in a program
interruption (note that this means that even if a product
being advertised is one that is shown during the program
the advertisement can not be coded as a miscellaneous
program-related element) .
- A program bumper must identify the specific program in
progress and not identify any other specific program or
set of programs. It may also mention the
station/channel/network that is presenting the program
(i.e., "Stay tuned for more of Bigger & Summers
on Lifetime Cable" is still a program bumper), but
it MUST mention the specific program (i.e.,
"This is Headline News, a Turner Cable Network"
and "We'll be right back after these messages"
are NOT program bumpers because neither one identifies a
specific program [Headline News is a
station/channel/network, not a program]). In ALL cases, a
program bumper is part of a program and not a program
interruption.
- An ending MPRE must come after "all simultaneous
audio and moving video that comes before any ending
credit" (in other words, the frame located in
variable 7); this means that simultaneous audio and
moving video action without any credits can be followed
by an ending MPRE, which then can be followed by more
simultaneous audio and moving video action but action
that does contain ending credits.
___________________________________________________________________________
11. End of program?
Program end: |
__ __ hours |
__ __ minutes |
__ __ seconds into program |
FULL QUESTION:
At what point does program end?
DEFINITIONS & EXAMPLES:
End of program - the last normal (not "faded out")
frame in which there is a "normal," "not faded
out" image related to the program.
NOTES:
- Because it is difficult to reliably code the duration of
sounds, a program should be coded as ending at the last
frame at which the image is not faded out, even if music
or other sound extend beyond this frame and even beyond
frames that contain only a black screen.
- Different episodes or even the same episodes of some
programs are shown one after another in a repeating cycle
(e.g., every half hour on Headline News is a new episode;
ESPN Sportscenter is repeated immediately after it first
airs). Be careful to code each program or repetition of a
program, separately. If it is difficult to determine
where one episode ends and the next begins, consider the
end of the first episode to be immediately prior to the
beginning of the repeating material (of course, exclude
program interruptions).
___________________________________________________________________________
END OF PROGRAM CODING SHEET